Recognizing that while national cinema histories are oftentimes self-reflecting in terms of culture, their places within the zeitgeist of art and film rely on outside influences and exchanges of techniques, structures, mise-en-scene, and approaches to the medium itself. At the end of the course, students will have a solid historical understanding of film and the ways in which international narrative and stylistic methods have been adopted and/or altered by Korean filmmakers.
주차 | 차시 | |
---|---|---|
1 | Class Introduction/ Brief History of Korean Cinema | Introduce yourself |
Videos | ||
2 | Im Kwon Taek and National Cinema | Videos |
film journal | ||
3 | Lee Chang Dong | Videos |
Discussion 1 | ||
4 | Shiri (1999) | Videos |
film journal | ||
5 | Kim Ki Duk | Videos |
Quiz 1 | ||
6 | Hong Sang Soo | Videos |
film Journal | ||
7 | The Revenge Film | Videos |
Film Journal | ||
8 | Bong Joon Ho | Videos |
Midterm Exam | ||
9 | Korean Horror Cinema | Videos |
Film Journal | ||
10 | The Housemaid and Melodrama | Videos |
Film Journal | ||
11 | Koreans Abroad | Videos |
Discussion | ||
12 | Na Hong Jin | Videos |
Discussion 2 | ||
13 | Train to Busan (2016) and Zombie Films | Videos |
Film Journal | ||
14 | Kim So Yong and Feminism in Film | Videos |
Final Essay Exam | ||
15 | Class Wrap Up | Videos |
Final Journals |