Recognizing that while national cinema histories are oftentimes self-reflecting in terms of culture, their places within the zeitgeist of art and film rely on outside influences and exchanges of techniques, structures, mise-en-scene, and approaches to the medium itself. At the end of the course, students will have a solid historical understanding of film and the ways in which international narrative and stylistic methods have been adopted and/or altered by Korean filmmakers.
주차 | 차시 | |
---|---|---|
1 | Class Introduction/ Brief History of Korean Cinema | Class introduction |
Please enter your content | ||
2 | Im Kwon Taek and National Cinema | Im Kwon Taek and National Korean Cinema |
Im Kwon Taek and National Korean Cinema_Discussion | ||
3 | Lee Chang Dong | lee chang dong |
lee chang dong | ||
4 | Shiri (1999) | shiri 1999 |
shiri 1999 | ||
5 | Kim Ki Duk | kim ki duk |
kim ki duk | ||
6 | Hong Sang Soo | hong sang soo |
hong sang soo | ||
7 | The Revenge Film | revenge film |
revenge film | ||
8 | Bong Joon Ho | bong joon ho |
bong joon ho | ||
9 | Korean Horror Cinema | korean horror |
korean horror | ||
10 | The Housemaid and Melodrama | the housemaid |
the housemaid | ||
11 | Koreans Abroad | snowpiercer |
snowpiercer | ||
12 | Na Hong Jin | na hong jin |
na hong jin | ||
13 | Train to Busan (2016) and Zombie Films | train to busan |
train to busan | ||
14 | Kim So Yong and Feminism in Film | kim so yong |
kim so yong | ||
15 | Class Wrap Up | transgenre |
transgenre |